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Take a tour through our photo gallery of Bancroft’s 12 greatest films, featuring some Oscar-caliber performances. The two appeared onscreen together in the riotous “To Be or Not to Be” (1983), playing a Polish husband-and-wife acting duo in the lead-up to WWII. She made multiple cameo appearances in his films, including “Blazing Saddles” (1974) and “Silent Movie” (1976). She was also a presence of the small screen, winning Emmys for “Annie, the Women in the Life of a Man” (Best Variety Special in 1970) and “Deep in My Heart” (Best Movie/Mini Supporting Actress in 1999).īancroft’s marriage to comedic director and EGOT champ Mel Brooks lasted from 1964 until her death in 2005. The film caused a stir for its frank portrayal of sexuality and generational anxiety, serving as an initiation, along with “Bonnie and Clyde” (1967), into the New Hollywood.īancroft would contend at the Oscars four more times, all in the lead category: “The Pumpkin Eater” (1964), “The Graduate,” “The Turning Point” (1977), and “Agnes of God” (1985). Robinson, a middle-aged woman who begins an affair with a college student ( Dustin Hoffman), in “The Graduate” (1967).
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Though portraying Annie Sullivan brought her awards glory, Bancroft is best remembered for her iconic role as Mrs. Recreating the role of Annie Sullivan, a teacher struggling to help the deaf and blind Helen Keller ( Patty Duke) learn to communicate, won Bancroft the Oscar as Best Actress. Following the stage success, Bancroft, Penn and Gibson adapted “The Miracle Worker” to the big screen in 1962.